Venue: Buckfast Abbey Conference Centre... from 10.00am to 3:00pm
Cost: £49 per ticket... to include free parking, coffee on arrival, mid-morning refreshments and a two-course buffet lunch
Purchase tickets here: Buy tickets for Cult of the South Pacific
This Special Interest Day will look at the enduring Western obsession with, and invention of, the so-called ‘Exotic’ or ‘Noble Savage’, starting with the first discovery of the Island of Tahiti in 1767.
The three lectures will demonstrate charting the impact of English and European influence, in this part of the World, through painted images of the island and their people. All this is as seen through the eyes of not only Captain Cook and those who came before him, but also through the eyes of the artists that accompanied these pioneering voyages and into the 19th and early 20th century with the images of Gauguin.
Programme:
10.00 Registration and Coffee
10.30-11.30 Part 1: Cook & the invention of Paradise - Voyages & Discoveries This lecture will look at the artistic legacy of Cook’s voyages to the South Pacific and the events that led up to the invention of paradise and the European notion of the exotic. Charting the three voyages, we will not just discover exotic objects that were brought back from the South Pacific, but also the artists that accompanied Cook on all three voyages and that gave us a wealth of paintings and illustrations of said objects and the verdant lands. Artists such as John Webber (1751 - 1793), Johann Reinhold Forster (1729-1798) and his son Johann Georg Adam Forster (1754-1794), Sydney Parkinson (c.1745–1771, William Parry (1743-1791) are among those that would paint these exotic images.
In addition, this lecture will also look at how the images produced by these artists were used to create a European vision of paradise, how those encounters then impacted on the native populations, and what they reveal about 18th century English society, its perception or preconception of the Other or non-white European.
Finally, this lecture will look at the result of these cultural clashes that would lead to the pseudo-scientific invention of race and white superiority and how that was then used to justify the brutality inflicted upon native populations by Europeans.
11.30-12.00: Coffee Break
12.00-13.00 Part 2: The Cult of the Celebrity - Omai the Exotic, & Joshua Reynolds This lecture Iooks at the events that led up to Joshua Reynolds’s portrait of Omai becoming an emblematic and iconic image representing Britain at the very height of its imperial powers. To explore this famous moment from history when two Worlds collided, Leslie will explore the key players in Omai’s story, his origins in Tahiti, his background and motivation to come to England, followed by his time in England, English society and his interaction therein.
The lecture will then go on to look at Joshua Reynolds’s ideas regarding his self-image, his influences and how this related to his image of Omai. This will be followed by a look at what this portrait of Omai by Joshua Reynolds can tell us about 18th century English society, its perception or preconception of the Other or Non-white European and how prevalent pseudo-scientific ideas in this period affected the way Omai was perceived and finally envisioned in Reynolds’ painting. Leslie will then look at what happened when Omai returned to the South Seas and the impact of him going back. Can one ever go back? What is the impact of returning?
Finally, Leslie will speak about the legacy of the image we call Omai, which has become an enigma in its own right.
13.00-14.00: Buffet Seated Lunch
14.00-15.00 Part 3: The Cult of the South Pacific – Invention & Re-Invention: Gauguin’s Portraits and the Myth of Paradise This lecture will look at the enduring Western obsession with, and invention of, the so-called ‘Exotic’ or ‘Noble Savage’ that would eventually manifest itself in the 19th and early 20th century with the images of Gauguin. This lecture will take us into the modern period and look at what happened to these notions of the exotic in the 19th century. This is explored through the Impressionist and Post-Impressionist work of this period’s most notable visitor to the island of Tahiti, also looking for the exotic and paradise - Paul Gauguin (1848 – 1903). His experiences and the vibrant evocations of paradise through his paintings, and his discoveries and eventual death in the South Pacific, bring this exploration of the exotic to its conclusion.
It also reminds us how the romanticised depictions of the island and its peoples by artists such as: William Hodges (1744-1797), Benjamin West (1738-1820), John Webber (1751-1793), and John Cleveley (c.1712- 1777), and indeed those of Paul Gauguin (1848 – 1903), not only bolstered these notions in the minds of Europeans, but also helped to perpetuate and invent the Western notion of the exotic, and the myth of paradise.